Deviant/Abstraction

AI and reality: how ai kills photography

“AI photos” are very different from “old-style” photos. I think it’s one of the big “unthought” of our current time.

To illustrate the stark contrast, let’s examine two images side by side.

This is a picture I took from my smartphone at an Arctic Monkey show.

Picture I took using my smartphone in 2023

When we zoom in on this smartphone-captured image, we notice a loss of detail and clarity. It’s a familiar experience for anyone who’s used a smartphone camera.

Detail of previous picture

Now another image with my 20-years old digital SLR:

Picture I took using my old SLR

Zooming in on this photograph taken with a trusty 20-year-old digital SLR reveals a different story. The details remain crisp, and the image retains its integrity.

Detail of the previous picture

These visual comparisons highlight just how distinct AI photography and traditional photography are. AI photos represent a departure from the “objective truth” that traditional photos sought to capture. The latter offered a window into a moment in time, seen through the eyes of a machine. AI photos are ontologically different from photography. They are closer to a painting than a photography.

Argentic (and digital) photos are an “objective truth”. It’s an image of a point in time from a machine. That (now) simple fact changed the world. For the first time in history, you could show what had happened somewhere else and it was “more objective” than the retell of a human being (whether through an image or a text). Philosophers have written books about it. Some of the most famous books are La Chambre Claire from Barthes and On Photography from Sonntag.

In contrast, AI photography introduces a layer of interpretation. It captures what the software deems important, removing and inventing parts of the image. It’s no longer “real”. It’s a facsimile of reality with a point of view built-in; an “update to reality” derived from a consensus of what is perceived significant in a multitude of similar images.ve

This is all really cool and fascinating. But it’s also a big problem: we are now more than ever an image-drive society (by opposition as a “text-driven society” which we were 100 years ago), and AI photography has effectively replaced all previous photography; yet we barely know what AI pictures are. We do know we can’t trade “old-style photo” for these images, yet we do. Society has not adjusted yet. We have already moved into a new type of society but we don’t know which yet. In the meantime, I’ll stick with my SLR.


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